The next year he moved to the United States and continued to work with Sergio Mendes. Description: 1 online resource Streaming audio 40 min. By the time of this 1964 set, Stan Getz had already issued a few bossa nova experiments on Verve — but this pairing with. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. He became more globally known in 1971, when he replaced Airto Moreira in the legendary fusion band Weather Report.
The album's got an edge that definitely lives up to its title — even if the cover photo is a bad. Most marks should still not click under a fingernail. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record. While in New York City, Chavez performed with Archie Shep, John Hicks, Jaco Pastorius, Marcus Miller, Cameron Brown, Woody Shaw, and Mike Stern, among others. The next year he moved to the United States and continued to work with Sergio Mendes. By the 1980s he had relocated to Switzerland, yet in the 90s, he spent more time back in Brazil with recordings and workshops.
In the 1960s Dom Um Romao joined Sergio Mendes' jazz ensemble. Fair This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. Sivuca's several solos where he vocalizes in unison with his uncredited accordion will be, at best, an acquired taste for listeners. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. The tracks have a beautifully jazzy sound, and feature lots of great Latin players, like Claudio Roditi, Ronnie Cuber, Dom Salvador, and Mauricio Smith.
After signing with the Muse label, he released his first solo album in the United States in 1972, Dom Um Romão. While in New York City, Chavez performed with Archie Shep, John Hicks, Jaco Pastorius, Marcus Miller, Cameron Brown, Woody Shaw, and Mike Stern, among others. He also worked at Rádio Tupi supporting singers and formed, in the 50s, the group Copa Trio, playing at Beco das Garrafas in Copacabana. By the 1980s he had relocated to Switzerland, yet in the 90s, he spent more time back in Brazil with recordings and workshops. A real watershed album from Horace Silver — a record that has him stepping strongly into the 70s — but with a rich new groove that's different both from his 60s work, and from the heavy politics of his United States series too! We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings. In the 1960s Dom Um Romao joined Sergio Mendes' jazz ensemble.
Dom Um Romão, é o meu sujeito digno, baterista carioca nascido no dia 3 de Agosto de 1925, junto a João Gilberto é tido como um dos criadores da batida da Bossa Nova. He recorded Blue Planet Man with John Patton, Eddie Gladden, Bill Saxton, John Zorn, and Ed Cherry. The high points are the four or five arrangements that gracefully interweave the horns with the sensuously pulsing voices of Sivuca, Julie Janeiro, and Gloria Oliveira. Used Vinyl Grades Below are stated conditions for a used vinyl records at Dusty Groove. Faixas: 1- Escravos de Jó - Milton Nascimento 2- Mistura fina - Luis Bandeira 3- Caravan - Duke Ellington, Tizol e Mills 4- Spring - Ricardo Peixoto 5- Pra que chorar - Baden Powell e Vinicius de Moraes 6- Amor en jacuma - Romão Ramalho 7- Cisco two - Célia Vaz 8- Tumbalele - Francisco Neto, Milton Neves e J. His early jazz influences included trumpeter Little Benny Harris, bassist George Morrow, and tenor saxophone giant Lin Halliday. May have some other significant flaws, such as residue, or a track that skips.
Amor Em Jacuma 5:25 07. The charts also work in some intriguing Oregon-like passages for cello and soprano sax, and set up strong solos from Mauricio Smith on soprano sax and flute, Dom Salvador on piano, and from trumpeter Claudio Roditi, who brings some hard bop fire to the date. Hotmosphere is in the Latin pop vein of the Mendes group, rather than a missing chapter from the days of Weather Report's I Sing the Body Electric. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks. The album has Horace picking up a slightly electric sound,. His early jazz influences included trumpeter Little Benny Harris, bassist George Morrow, and tenor saxophone giant Lin Halliday.
For these records, we will describe the extent of the condition in the comments. The following grading conditions apply to the vinyl component of an album or single: Sealed This is what it says, that the record is still held fast in shrink-wrap. © 1996-2019, Dusty Groove, Inc. If we spot any significant flaws, we make every attempt to listen through them and note how they play. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Aqui a proposta é som de qualidade, em mp3, para compartilhar com todos esta cultura humana tão rica! Na década de 70 entretanto vem um grande marco de carreira, quando tornou-se integrante do Weather Report, banda de Fusion, comparável aos Headhunters de Herbie Hancock e ao Pat Matheny Group, foi considerado um dos grandes inovadores da linguagem do Jazz. A idéia é não prejudicar ninguém.
É um baterista diferenciadíssimo e o disco de hoje é de 1976, já depois das suas experimentações jazzísticas e fusiônicas?! His first album, Dom Um, came out in 1964. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. Dom Um Romao - percussion 1925 - 2005 A legendary name in bossa nova, and one of the premier drummers who introduced Brazilian percussion and rhythms into jazz, Dom Um Romão began his career playing drums at balls and cabarets in Rio De Janeiro at the end of the 40s. Plus, the album's almost an early Art Ensemble of Chicago effort, given the lineup — which. Não posso deixar de reparar na capa deste disco e não destacar o som do triângulo que Dom Um Romão extraía deste instrumento idiofônico, tanto usado na música portuguesa como no forró e no xaxado brasileiríssimos. He also worked at Rádio Tupi supporting singers and formed, in the 50s, the group Copa Trio, playing at Beco das Garrafas in Copacabana.
Osmar Milito and Quarteto Forma from the album E Deixa o Relógio Andar! Caso você artista, compositor, intérprete se opuser à divulgação neste blog, entre em contato, retirarei os links. Na década de 80 foi morar na Suiça e sempre participou de festivais de Jazz e Samba ao redor do mundo. Pete Chavez was born in Greeley, Colorado and raised in Denver, Colorado where he studied clarinet with Dr. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. Spine has a cutout notch. Pete Chavez was born in Greeley, Colorado and raised in Denver, Colorado where he studied clarinet with Dr. Pete earned a good measure of notoriety with his own bands which included James Williams, Boots Maleson, and John Scofield, to name a few.